The cheongsam is a body-hugging one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo (旗袍) Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown. The stylish and often tight-fitting cheongsam or qipao that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
The English loanword cheongsam comes from chèuhngsàam, the Cantonese pronunciation of the Shanghainese term zǎnze or zansae by which the original tight-fitting form was first known. The Shanghainese name was somewhat in contrast with usage in Mandarin and other Chinese dialects, where chángshān refers to an exclusively male dress and the female version is known as a qipao.
In Hong Kong, where many Shanghai tailors fled to after the Communist takeover of the Mainland, the word chèuhngsàam may refer to either male or female garments. The word keipo is either a more formal term for the female chèuhngsàam, or is used for the two-piece cheongsam variant that is popular in China. Traditionally, usage in Western countries mostly followed the original Shanghainese usage and applies the Cantonese-language name cheongsam to a garment worn by women.
History
When the Manchu ruled China during the Qing Dynasty, certain social strata emerged. Among them were the Banners , mostly Manchu, who as a group were called Banner People . Manchu women typically wore a one-piece dress that retrospectively came to be known as the qípáo . The generic term for both the male and the female forms of Manchu dress, essentially similar garments, was chángpáo . The qipao fitted loosely and hung straight down the body, or flared slightly in an A-line. Under the dynastic laws after 1636, all Han Chinese in the banner system were forced to wear a queue and dress in Manchurian qipao instead of traditional Han Chinese clothing , under penalty of death Until 1911, the changpao was required clothing for Chinese men of a certain class, but Han Chinese women continued to wear loose jacket and trousers, with an overskirt for formal occasions. The qipao was a new fashion item for Han Chinese women when they started wearing it around 1925.
The original qipao was wide and loose. It covered most of the woman's body, revealing only the head, hands, and the tips of the toes. The baggy nature of the clothing also served to conceal the figure of the wearer regardless of age. With time, though, the qipao were tailored to become more form fitting and revealing. The modern version, which is now recognized popularly in China as the "standard" qipao, was first developed in Shanghai in the 1920s, partly under the influence of Beijing styles. People eagerly sought a more modernized style of dress and transformed the old qipao to suit their tastes. Slender and form fitting with a high cut, it had great differences from the traditional qipao. However, it was high-class courtesans and celebrities in the city that would make these redesigned tight fitting qipao popular at that time.[2] In Shanghai it was first known as zansae or "long dress", and it is this name that survives in English as the "cheongsam".
The modernized version is noted for accentuating the figures of women, and as such was popular as a dress for high society. As Western fashions changed, the basic cheongsam design changed too, introducing high-necked sleeveless dresses, bell-like sleeves, and the black lace frothing at the hem of a ball gown. By the 1940s, cheongsam came in a wide variety of fabrics with an equal variety of accessories.
The 1949 Communist Revolution curtailed the popularity of the cheongsam and other fashions in Shanghai, but the Shanghainese emigrants and refugees brought the fashion to Hong Kong where it has remained popular. Recently there has been a revival of the Shanghainese cheongsam in Shanghai and elsewhere in Mainland China; the Shanghainese style functions now mostly as a stylish party dress.
Modern use
In the 1950s, women in the workforce in Hong Kong started to wear more functional cheongsam made of wool, twill, and other materials. Most were tailor fitted and often came with a matching jacket. The dresses were a fusion of Chinese tradition with modern styles. Cheongsam were commonly replaced by more comfortable clothing such as sweaters, jeans, business suits and skirts. Due to its restrictive nature, it is now mainly worn as formal wear for important occasions. They are sometimes worn by politicians and film artists in Taiwan and Hong Kong. They are shown in some Chinese movies such as in the 1960s film, The World of Suzie Wong, where actress Nancy Kwan made the cheongsam briefly fashionable in western culture. However, they are sometimes used as Halloween costumes in some western countries. They are also commonly seen in beauty contests, along with swim suits. Today,for wedding dresses, cheongsam are only commonly worn day-to-day for some people—restaurant hostesses and serving staff at luxury hotels, for instance—as uniform.
